readalfa

busket:

mybodythehandgrenade:

brinconvenient:

tonidorsay:

gailsimone:

chrishaley:

Done and done.

(Not pictured: “Butt window”, but trust me, it’s there.)

You have no idea how much this cheered me up just now.

Bwahahahahahaha

I for one, think this is a major improvement. Look how empowered he is! And it’s relevant to the character as someone who is powered by the sun, he’d want to maximize the amount of sunlight he receives, right? It’s not like it makes sense for him to cover himself from chin to toe.
In fact, I think some strappy sandals might be an improvement.

strappy high heeled sandals would increase his height making him closer to the sun. and if wonderwoman can fight in heels it can’t be that hard, right?

c’mon the artist could have dEFINITELY shown us the butt window too, like at the same time as a the chest window. like you just have to twist him in a way that shows us the butt but also turn the chest around a little so we see that too? superman is a tough guy im sure he can handle breaking his spine to show off all those important windows

readalfa

charlotte-corday:

I had a dream last night that I worked at McDonalds and I was behind the counter when this guy dressed in a tuxedo (with white dickie and tie) was snapping his fingers for a server. I went I over and he asked to see our “darkest red” and I knew he was talking about wine so I said “sir, this is McDonalds. The darkest red we have here is ketchup” and he had me pour him a glass of ketchup and he drank it while looking me directly in the eye.

readalfa
internetkatze:

artisansoulleader:

thepowerofmoonlight:

Learnt an interesting thing today on this arabic course,
The original Arabic number system looked like this, the one we now use.
It was designed so each character had the corresponding number of angles to the number, so the number 1 has 1 angle, 2 has 2 angles, 3 has 3, 0 has none etc…
It is so obvious now, I’ve always assumed its one of those things that just is, with no logical explanation, but here it is, perfectly simple and satisfying

My jaw is legit on the floor right about now :D

This is WRONG. COMPLETELY WRONG. I’ve seen this post on my dash at least ten times with no correction so here it is:

This is the evolution of the modern numeral system. PLEASE STOP SPREADING MISINFORMATION. The history of Mathematics is awesome and amazing and Arabs made tons and tons of progress and invented many of the concepts we use today, but a numeral system based on angles IS NOT ONE OF THEM.

internetkatze:

artisansoulleader:

thepowerofmoonlight:

Learnt an interesting thing today on this arabic course,

The original Arabic number system looked like this, the one we now use.

It was designed so each character had the corresponding number of angles to the number, so the number 1 has 1 angle, 2 has 2 angles, 3 has 3, 0 has none etc…

It is so obvious now, I’ve always assumed its one of those things that just is, with no logical explanation, but here it is, perfectly simple and satisfying

My jaw is legit on the floor right about now :D

This is WRONG. COMPLETELY WRONG. I’ve seen this post on my dash at least ten times with no correction so here it is:

image

This is the evolution of the modern numeral system. PLEASE STOP SPREADING MISINFORMATION. The history of Mathematics is awesome and amazing and Arabs made tons and tons of progress and invented many of the concepts we use today, but a numeral system based on angles IS NOT ONE OF THEM.

readalfa
theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.
The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”
The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.


Man this is still one of my favorite little social projects/experiments.

theodorepython:

maxistentialist:

Tweenbots by Kacie Kinzer:

Given their extreme vulnerability, the vastness of city space, the dangers posed by traffic, suspicion of terrorism, and the possibility that no one would be interested in helping a lost little robot, I initially conceived the Tweenbots as disposable creatures which were more likely to struggle and die in the city than to reach their destination. Because I built them with minimal technology, I had no way of tracking the Tweenbot’s progress, and so I set out on the first test with a video camera hidden in my purse. I placed the Tweenbot down on the sidewalk, and walked far enough away that I would not be observed as the Tweenbot––a smiling 10-inch tall cardboard missionary––bumped along towards his inevitable fate.

The results were unexpected. Over the course of the following months, throughout numerous missions, the Tweenbots were successful in rolling from their start point to their far-away destination assisted only by strangers. Every time the robot got caught under a park bench, ground futilely against a curb, or became trapped in a pothole, some passerby would always rescue it and send it toward its goal. Never once was a Tweenbot lost or damaged. Often, people would ignore the instructions to aim the Tweenbot in the “right” direction, if that direction meant sending the robot into a perilous situation. One man turned the robot back in the direction from which it had just come, saying out loud to the Tweenbot, “You can’t go that way, it’s toward the road.”

The Tweenbot’s unexpected presence in the city created an unfolding narrative that spoke not simply to the vastness of city space and to the journey of a human-assisted robot, but also to the power of a simple technological object to create a complex network powered by human intelligence and asynchronous interactions. But of more interest to me, was the fact that this ad-hoc crowdsourcing was driven primarily by human empathy for an anthropomorphized object. The journey the Tweenbots take each time they are released in the city becomes a story of people’s willingness to engage with a creature that mirrors human characteristics of vulnerability, of being lost, and of having intention without the means of achieving its goal alone. As each encounter with a helpful pedestrian takes the robot one step closer to attaining it’s destination, the significance of our random discoveries and individual actions accumulates into a story about a vast space made small by an even smaller robot.

Man this is still one of my favorite little social projects/experiments.